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π™΄πš‘πš’πšœπšπšŽπš—πšŒπšŽ


πšƒπš‘πšŽ πš›πš’πšπšπšŽπš 𝚍𝚊𝚒 πš–πšŠπšπšŽ πšπš‘πšŽ πš—πš’πšπš‘πš 𝚠𝚊𝚟𝚎𝚜 πšŒπšŠπš•πš–,

π™΅πšŽπšŽπš πš—πš˜πš πšπš˜πšžπšŒπš‘πš’πš—πš πšπš‘πšŽ πš‹πš˜πšπšπš˜πš–, 𝚏𝚎𝚎𝚝 πš’πš— πšŠπš— πš’πš—πšπš’πš—πš’πšπšŽ πš‹πš•πšžπšŽ,

π™»πšŠπšžπšπš‘πšπšŽπš› πšœπšžπš›πš›πš˜πšžπš—πšπšœ, πš‹πšžπš’πš•πšπš’πš—πš πšπš‘πšŽ πšŽπš‘πš’πšœπšπšŽπš—πšŒπšŽ,

π™·πšŽπšŠπš πšžπš—πšπšŽπš› πš πšŠπšπšŽπš›, 𝚒𝚘𝚞 πšœπšžπš›πšπšŠπšŒπšŽ πšŠπš—πš πšπš‘πšŽ πšœπšžπš— πš‘πšŠπšœ 𝚜𝚎𝚝, πš πšŠπš’πšπš’πš—πš πšπš˜πš› πšπš‘πšŽ πš‹πš›πšŽπšŠπš” 𝚘𝚏 πšπš‘πšŽ πš–πš˜πš›πš—πš’πš—πš,

π™΄πš‘πš’πšœπšπšŽπš—πšŒπšŽ 𝚘𝚏 πš–πšŽπš—.

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πš†πš‘πš’?


π™Όπš’ πš–πš’πšœπšœπš’πš˜πš— πšπš‘πš›πš˜πšžπšπš‘ πšŒπš›πšŽπšŠπšπš’πšŸπš’πšπš’ πš’πšœ 𝚝𝚘 πšŽπš–πš‹πš›πšŠπšŒπšŽ πšπš‘πšŽ πšπšŠπš›πš”πš—πšŽπšœπšœ πšŠπš—πš πš‹πš›πš’πš—πš πš’πš 𝚝𝚘 πš•πš’πšπš‘πš. π™Ύπš—πšŒπšŽ 𝚒𝚘𝚞 𝚍𝚘 πšπš‘πšŠπš πš’πš— πšŠπš— πšŠπšŽπšœπšπš‘πšŽπšπš’πšŒ πš–πšŠπšπšπšŽπš› 𝙸 πš‹πšŽπš•πš’πšŽπšŸπšŽ πšπš‘πšŠπš πš˜πš—πšŽ πšŒπšŠπš— 𝚜𝚎𝚎 πšπš‘πšŽ πš‹πšŽπšŠπšžπšπš’ 𝚘𝚏 πšπš‘πšŽ πš—πšŽπšπšŠπšπš’πšŸπš’πšπš’ πšŠπš—πš πšπš‘πš›πš˜πšžπšπš‘ πš’πš πš™πš›πš˜πšŒπšŽπšœπšœ πš’πš˜πšžπš› πšπšŽπšŠπš›πšœ. 𝙸 πš πš˜πš›πš” πš–πš˜πšœπšπš•πš’ πšπš‘πš›πš˜πšžπšπš‘ πš‹πš•πšŠπšŒπš” πšŠπš—πš πš πš‘πš’πšπšŽ πš™πš‘πš˜πšπš˜πšπš›πšŠπš™πš‘πš’ 𝚊𝚜 πš πšŽπš•πš• 𝚊𝚜 πšŸπš’πšπšŽπš˜, 𝚝𝚘 πšŽπš—πšŒπš‘πšŠπš—πšŒπšŽ πšπš‘πšŽ πšπšŽπšŽπš•πš’πš—πš 𝚘𝚏 πšœπš˜πš•πš’πšπšžπšπšŽ πšŠπš—πš πšπš’πšœπšπš›πšŽπšœπšœ πš‹πšžπš πšŠπš•πšœπš˜ πšπš‘πšŽ πšŽπš—πš‘πšŠπš—πšŒπšŽ πšπš‘πšŽ πšŠπšπšπš›πšŠπšŒπšπš’πš˜πš—. 

π™±πš›πš’πš—πšπš’πš—πš 𝚘𝚞𝚝 πšπš‘πšŽ πšœπšžπš‹πšŒπš˜πš—πšŒπš’πš˜πšžπšœ πš’πšœ πšŒπš›πšžπšŒπš’πšŠπš• πšπš˜πš› πš–πšŽ πš’πš— πš–πš’ πšŠπš›πš πš‹πšžπš πšŠπš•πšœπš˜ πš’πš— πš–πšŽπšŠπš—πšœ 𝚘𝚏 πšœπšŽπš•πš-πšπšŽπšŸπšŽπš•πš˜πš™πš–πšŽπš—πš πšŠπš—πš 𝙸 πš πš’πšœπš‘ πš–πš’ πšŠπš›πš πšŒπšŠπš— πš‹πšŽπšŒπš˜πš–πšŽ 𝚊 𝚐𝚊𝚝𝚎𝚠𝚊𝚒 πšπš˜πš› πšœπš˜πš–πšŽπš‹πš˜πšπš’ 𝚝𝚘 πšπšŠπšŒπš”πš•πšŽ πšπš‘πšŽπš’πš› πš™πšŽπš›πšœπš˜πš—πšŠπš• πš•πš’πšŸπšŽπšœ. π™°πš πšπš‘πšŽ πšŽπš—πš 𝚘𝚏 πšπš‘πšŽ 𝚍𝚊𝚒 𝚠𝚎 πšŠπš•πš• πš‘πšŠπšŸπšŽ πš™πš›πš˜πš‹πš•πšŽπš–πšœ πšŠπš—πš πšπš‘πšŽ πš‹πšŽπšœπš πšπš‘πš’πš—πš πš˜πš—πšŽ πšŒπšŠπš— 𝚍𝚘 πš’πšœ 𝚝𝚘 𝚏𝚊𝚌𝚎 πšπš‘πšŽπš–.

Who?

This is secondary although a background to who I am and what brought me to art is neccesary to get a more intimate relationship to my creative production.

I was born and raised in Sweden, in a little town north of Stockholm. Trying to find my path, whether it was to pursue my attraction to nature or the pursuit to draw what comes out of me when IΒ΄m in it was hard for some time. I tried studying Science of Forestry before turning to Economics which later brought me to the arts and the move to Prague. 

Like every other person here I have dealt with personal distress and when I went back into the arts through the lens of my camera or the edge of my charcoal pen, I found a way to face it, move forward and process life as it was happening and not what has already happened. 

Currently I am half way through my Visual Art studies at Anglo-American University in Prague. Surrounded by the art Prague has to offer I find myself inspired both by its cultural history and nature that surrounds it as well as its many talented artists like Kupka, Sima and especially Schiele who shows the intimate moments of sexuality and subconsciousness. 

One of the many bridges that serves as a shelter for the homeless
Alternative door stopper
A hidden hang-out under the cities infrastructure, sourrounded by alcohol and cards.
The old man and the dog.
These photos were taken around my home in Prague 3. It was a gray day with audio hallucinations of Chet Baker playing soft Jazz.

An Eco-Art Piece

In the Winter of 2019 I made an Eco-Art piece, critizing the way of fishing and maintaing Carp, One of CzechiaΒ΄s most common Christmas foods. 

In a study brought forward by Brno University in 2007, where they would measure the total mercury level and Methylmercury level in the waterways of the Czech Republic they found a significant amount in the Vltava River. Before listing amounts of mercury one should know that US EPA (United States Environmental Protection Agency) has set a level of mercury in fish that is safe for humans to eat. According to the Agency 0.1 micrograms per kilo of body weight is a safe level, meaning that if you weigh 60 kilos, a tolerable amount is approximately 0.6 milligrams of mercury per kilo fish. In the study by Brno University while sampling chub (Leuciscus cephalus L) an amount between 0.68 and 0.73 milligrams of Mercury per kilo was found in the Vltava river. Mercury has been found to cause nerve diseases and problems with reproduction, especially with females and miscarriage (PETA).

Another article that pollutes especially the Vltava is microplastics. Microplastics are tiny pieces of plastic, less than five millimeters and could come from a variety of sources. From large plastic debris that has been turned into smaller pieces to polyethylene that has its source in e.g. beauty products (NOAA). Greenpeace recently did one of their bigger campaigns, Plast je past in Prague studying and measuring the microplastics in the center of Prague and nearby locations, following the Vltava. They found out that there on average about 3.7 pieces of plastic per liter and a high of 18 pieces was measured in Labe (Greenpeace.org). Microplastics mixes with the other food sources and so through that goes into the fish digestion system where it cannot be processed and can lead to their death, especially for premature fish (National Geographic). 

Furthermore and the most threatening to the fish and us humans are the PCB or polychlorinated biphenyls levels. In a study of central European rivers including the Vltava, published by the European Union, we can see that the amount of PCB in the river that runs through Prague reaches the level of 103 ng/grams (Dioxins and PCBs in solid matter from the river Elbe, its tributaries and the North Sea, 2011). PCB in general terms a chemical used in the process and production of electronic components and hydraulic systems due to its chemical stability and heat resistance between the 1930-1980s and in 1985 they were finally extremely restricted (European Environmental Commission). The chemical is still active due to its accumulation in sediment. This man-made chemical causes cancer, mutations and infertility in both animals, fish and humans.